The first part of Alain Tjiong's notes on Zomerfilmcollege 2016: on enchantment and style in 'One From the Heart' and 'The Pirate'.

Long overdue notes on Il Cinema Ritrovato 2016 and the rise of digital restorations.

Anke Brouwers on Il Cinema Ritrovato’s pre-Code program focusing on Carl Laemmle Junior’s early years at Universal.

Tobias Burms on Offscreen 2016's neurotic women and grindhouse legends.

Tom Paulus revisits Jacques Rivette: "I’m not prepared to let Rivette go, because we’re a long way from being done with him."

Gertjan Willems reports on 'Film', Beckett's only venture into cinema, and the film essay 'NotFilm' by its restorer Ross Lipman.

Anke Brouwers on Mary Manning, Nell Shipman and Helen Gardner, just a few of the many women film pioneers written out of cinema history.

Maximilien Luc Proctor on letting go and on Mia Hansen-Løve’s latest, seen at the Berlinale 2016.

Maximilien Luc Proctor reports on this year's Berlinale, honing in on films, moments or connections that struck a chord.

Maximilien Luc Proctor met with Terence Davies at the Berlinale to talk about his latest film, 'A Quiet Passion'.

Maximilien Luc Proctor is reporting from this year's Berlinale, honing in on films, moments or connections that strike a chord.

Irina Trocan on the heterosexual relationships in Todd Haynes' 'Carol'.

Tobias Burms on 'The Smell of Us', Larry Clark’s 'elegy of youth'.

Maximilien Luc Proctor muses on the trope of the unloaded gun.

Anuj Malhotra argues that Michael Powell and Emeric Pressburger’s 'Black Narcissus' is in fact a horror film.

Tobias Burms on Radu Muntean's 'One Floor Below'.

Anuj Malhotra on Jamshed Mahmoudi’s 'A Few Cubic Meters of Love'.

Nana Van de Poel on Thomas Bidegain’s 'Les Cowboys'.

Irina Trocan on Dalibor Matanic's 'The High Sun'/'Zvizdan'.

Maximilien Proctor on László Nemes' 'Son of Saul'.