Un monde — Young Critics Workshop
Nazeeh Alghazawneh on Laura Wandel's 'Un monde'.
516 ARTICLES in photogénie
Nazeeh Alghazawneh on Laura Wandel's 'Un monde'.
Jovana Gjorgjiovska on Christos Nikou's 'Apples'.
Hanne Schelstraete on Pablo Larraín's 'Spencer'.
Luise Mörke on Jessica Beshir's 'Faya Dayi'.
A closer look at how Greek cinema addresses the question of freedom from the 1950s onwards, in ways both conventional and unconventional.
5 Articles
Show all articlesWe asked the participants in the eighth edition of the Young Critics Workshop at Film Fest Gent three simple questions...
An exploration of the film musical’s almost unwieldy power of toppling over any steady boundaries between reality and fiction.
5 Articles
Show all articlesAn examination of films that touch upon longings, differences, irresolvabilities that haunt us, that insist on staying in conversation.
5 Articles
Show all articlesCristina Álvarez López and Adrian Martin on how trust and distrust are given shape in time and space in Nicholas Ray's 'In a Lonely Place'.
The search for a Rosetta Stone to further the necessary reinterpretations of acting and directing.
5 Articles
Show all articlesMaximilien Luc Proctor looks back at the Berlinale, contemplating the impact of our current moment on the films and the festival itself.
Alonso Aguilar proposes an alternative Berlinale program that consists of immersive accounts of the subjective experience of time.
Inge Coolsaet's video letter examines the process of written criticism and its final product in the context of an online film festival.
Maximilien Luc Proctor on Srikanth Srinivasan's book-length, career-spanning survey of the work of director Amit Dutta.
A look at filmmakers' writing, not to find hidden meaning in their films, but explore the tension between their intentions and their work.
5 Articles
Show all articlesAlonso Aguilar reports on IFFR 2021, dealing in his final dispatch with three shorts that examine how to depict primal energies.
Alonso Aguilar reports on IFFR 2021, focussing in his second dispatch on three films that deal with a sense of being adrift.
Alonso Aguilar reports on IFFR 2021, focussing in his first dispatch on two films that render historical representation on their own terms.
Ioanna Micha on how Ingmar Bergman's 'Hour of the Wolf' (1968) examines the line between reality and illusion.
Patrick Duynslaegher on Irm Hermann, the actress who left as big a mark on the work of Fassbinder as any of his more famous contributors.