Issue #16 — R E M A K I N G (S): Call for pitches
photogénie is looking for criticism that tackles the circularity of film history and various (self-)referential and intertextual practices.
516 ARTICLES in photogénie
photogénie is looking for criticism that tackles the circularity of film history and various (self-)referential and intertextual practices.
For our next issue, we are looking for essays that examine cinema's recurrent grappling with compromise in all its forms.
How do you write about something that isn’t there?
6 Articles
Show all articlesAn exploration of various uses of 'silence' in cinema, from the silent era to the present day.
6 Articles
Show all articlesThe essays coming out of the eighth Young Critics Workshop at Film Fest Gent all deal with the tension between the real and the artificial.
5 Articles
Show all articlesAlonso Aguilar reports on IFFR 2022, focussing in his third dispatch on two films that transport cinema to the realm of the bodily.
Alonso Aguilar reports on IFFR 2022, focussing in his second dispatch on two films in search of meaning in the framework of late capitalism.
Alonso Aguilar reports on IFFR 2022, focussing in his first dispatch on two films that take a sensory approach to memory.
Patrick Preziosi on memory and artistic creation in 'The Souvenir Part II' and B.S. Johnson’s novel 'The Unfortunates'.
Luise Mörke on Joachim Trier's 'The Worst Person in the World'.
Nazeeh Alghazawneh on Fabrice du Welz's 'Inexorable'.
Jack Seibert on Elene Naveriani's 'Wet Sand'.
Hanne Schelstraete on Gaspar Noé's 'Vortex'.
Jovana Gjorgjiovska on Clara Roquet's 'Libertad'.
Nazeeh Alghazawneh on Alexandre Koberidze's 'What Do We See When We Look at the Sky? '.
Luise Mörke on Ramon & Silvan Zürcher's 'Das Mädchen und die Spinne'.
Jack Seibert on Nathalie Álvarez Mesén's 'Clara Sola'.
Hanne Schelstraete on Jonas Carpignano's 'A Chiara'.
Jovana Gjorgjiovska on Natalya Merkulova & Aleksey Chupov's 'Captain Volkonogov Escaped'.
Jack Seibert on Apichatpong Weerasethakul's 'Memoria'.