Berlinale 2023 — Correspondence
"I don’t know if it’s conducive to good criticism, but I’m addicted." B. Flanagan, A. Aguilar and MLP on their experience of Berlinale 2023.
516 ARTICLES in photogénie
"I don’t know if it’s conducive to good criticism, but I’m addicted." B. Flanagan, A. Aguilar and MLP on their experience of Berlinale 2023.
The essays coming out of the ninth Young Critics Workshop at Film Fest Gent all deal with absences.
5 Articles
Show all articlesAlonso Aguilar reports on IFFR 2023, focussing on three Latin American films that model themselves as a refraction of uncontrollable forces.
On remaking as an adaptation of cinematic essences for new expressive possibilities.
6 Articles
Show all articlesMichaël Van Remoortere on Chantal Akerman's Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975).
Ben Flanagan questions the goals of this year's London Film Festival.
Arta Barzanji on Laura Citarella's Trenque Lauquen.
Dora Leu on Mia Hansen-Løve's Un beau matin.
Kenny Nixon on Albert Serra's Pacifiction.
Dora Leu on Shipey Wen's Are You Lonesome Tonight?.
Angelo Elia on Luca Guadagnino's Bones and All.
Arta Barzanji on Luca Guadagnino's Bones and All.
Kenny Nixon on Alice Diop's Saint Omer.
Kenny Nixon on Laura Citarella's Trenque Lauquen.
Angelo Elia on Mihai Mincan's To the North .
Dora Leu on Marie Kreutzer's Corsage.
Angelo Elia on Michael Koch's Drii Winter.
Arta Barzanji on Pierre Földes's Blind Willow, Sleeping Woman.
Compromise as a frisson point from which pure cinema can arise: a cinematic essence, in other words.
6 Articles
Show all articlesWe asked the participants in the ninth edition of the Young Critics Workshop at Film Fest Gent three simple questions...