Young Critics Workshop – White God: Cruel to be Kind
Andrew Lapin on Kornél Mundruczó's 'White God'.
538 ARTICLES in photogénie
Andrew Lapin on Kornél Mundruczó's 'White God'.
Fran Hoepfner on David Lambert’s 'Je suis à toi'.
Chris Frieswijk on Andrey Zvyagintsev's 'Leviathan'.
Zack Miller on François Ozon's 'Une nouvelle amie'.
Vanity Celis on Lisandro Alonso's 'Jauja'.
Anticipating the presence of Bas Devos’ 'Violet' at Film Fest Gent, Photogénie probed the director’s cinephile grey matter.
Meet the young guns participating in Photogénie's very first Critics Workshop at Film Fest Gent.
We subjected Keith Phipps, founder and editorial director of Pitchfork Media’s 'The Dissolve', to an old school cinephile questionnaire.
In the third episode of our series on the cinephiliac moments of Belgian directors we give the floor to Fabrice du Welz.
The latest entry in our collection of cinephiliac moments, courtesy of Adrian Martin.
Issue 2. - The Everyday (Once More): in order to discuss the films of Apichatpong Weerasethakul, Matthew Barrington focuses on ethnography.
Fien Troch takes the baton from Gust Van den Berghe and allows Photogénie and its readers a glimpse into her deepest cinephiliac thoughts.
Issue 2. - The Everyday (Once More): Maria Palacios Cruz on Ben Rivers's 'Two Years at Sea' and 'A Spell to Ward off the Darkness'.
Issue 2. - The Everyday (Once More): Michael Guarneri on the cinema of Lav Diaz.
Issue 2. - The Everyday (Once More): Tom Paulus on Tsai Ming-liang, Hou Hsiao-hsien, Apichatpong Weerasethakul and Hong Sang-soo.
Issue 2. - The Everyday (Once More): Muriel Andrin borrows Susan Stewart's vision of the miniature to discuss the films seen in Rotterdam.
Issue 2. - The Everyday (Once More): Guido Kirsten on realism in Corneliu Porumboiu's 'Police, Adjective'.
Issue 2. - The Everyday (Once More): Heike Klippel on Todd Haynes's 'Safe' and Fassbinder's 'Why does Herr R. Run Amok?'.
A new addition to our database of cinephiliac moments: Steven Rybin on Katharine Hepburn in Cukor's 'A Bill of Divorcement' (1932).
Tom Paulus with a follow-up on the Wellman retrospective at Il Cinema Ritrovato, focusing on the overlap with Raoul Walsh and Howard Hawks.