Irina Trocan on John Maclean's 'Slow West'.

Anuj Malhotra on László Nemes' 'Son of Saul'.

Maximilien Proctor on Pablo Larraín's 'El Club'.

Nana Van de Poel on Visar Morina’s 'Babai'.

Irina Trocan on Hirokazu Koreeda's 'Our Little Sister'.

Anuj Malhotra on Andrew Cividino's 'Sleeping Giant'.

Tobias Burms on Jayro Bustamante's 'Ixcanul'.

Maximilien Proctor on Shin Su-won's 'Madonna'.

Nana Van de Poel on Yorgos Lanthimos' 'The Lobster'.

We subjected the host of Photogénie and the second international Young Critics Workshop, Nick Pinkerton, to a cinephilic questionnaire.

We asked this year’s participants in the Young Critics Workshop at Film Fest Gent three simple questions.

We mourn the loss of filmmaker Chantal Akerman. As a tribute to her lasting influence, we offer this excerpt from Muriel Andrin’s text.

Bert Lesaffer fondly remembers his first real movie scream and the movie that provoked it, incidentally called 'Scream'.

After musing on the glory of 'The Thin Red Line' in Technicolor, Tom Paulus reports on Leo McCarey.

More from Il Cinema Ritrovato: Anke Brouwers on the virtues of the silent melodramas produced by the Bluebird company.

In our first dispatch from Il Cinema Ritrovato, Tom Paulus talks about the festival's focus on color.

Young Critic Vanity Celis discussed Flemishness, colonialism, flurry aesthetics and crappy Polaroid quality with filmmaker Pieter Van Hees.

Tom Paulus on Adrian Martin's new book, mise en scène, dispositifs and micro-stylistic inquiry.

With his latest film, 'Lucifer', Gust Van den Berghe tackles 17th century poet and playwright Joost van den Vondel’s tragedy.

Anke Brouwers on Mary Pickford’s 1920 'Pollyanna'.