On the experience, ethics, aesthetics and philosophy of duration in cinema.
Irina Trocan on how Marcel Ophuls uses duration to try to do justice to the complexity of the Yugoslav Wars.
A personal reflection by Anuj Malhotra on the conception of cinematic time in the short films of Vjekoslav Nakić.
Michaël Van Remoortere on the tension between hindsight and innocence in Fassbinder's Berlin Alexanderplatz.
Arta Barzanji on the physical experience of viewing Béla Tarr's Sátántangó.