Ben Flanagan on James Franco's 'Zeroville'.

Alonso Aguilar on Jayro Bustamante's 'La Llorana'.

We asked the participants in the sixth edition of the Young Critics Workshop at Film Fest Gent three simple questions...

Bobby Vogel on the depiction of the female body in Quentin Tarantino's 'Once Upon a Time... in Hollywood' (2019).

David Vanden Bossche on how music is used to build a counter narrative in Jordan Peele's 'Us'.

Ruairí McCann on how Tsai's most recent work reconfigures familiar themes while looking for new ways to liberate cinema.

Savina Petkova on the films of Dan Sallitt.

Maximilien Luc Proctor looks back at this year's Berlinale, discussing three films that tackle the age-old question: "Why make a film?"

Ans Van Gasse talked to Lucrecia Martel during her visit to Brussels.

David Vanden Bossche on cultural hybridization and transcultural narrative forms in 'Pájaros de verano' (2018).

Savina Petkova on Agnès Varda's final film, 'Varda par Angès'.

Camille Bourgeus spoke with Jia Zhangke at the avant-premiere of his latest film Ash Is Purest White (2018) in Brussels.

Steff Nellis on how Olivier Assayas covers new stylistic ground in his latest film.

Camille Bourgeus on Wang Bing's latest momentous documentary, 'Dead Souls'.

Inge Coolsaet on the representation of black masculinity in two new features that debuted at Sundance 2019.

Patrick Preziosi on the importance of score and song in the films of Barry Jenkins.

Yirka De Brucker and David Vanden Bossche on the tension between art and trauma in “I Do Not Care if we go Down in History as Barbarians”.

Souky De Wolf on the rebellious and playful cinema of Bertrand Mandico.

NJ Nuñez on the representation of otherness in João Salaviza and Renée Nader Messora's 'The Dead and the Others'.

Ruairí McCann on how Jia Zhangke revisits his own oeuvre in his 21st century output.