R E M A K I N G (S) 6 Articles
On remaking as an adaptation of cinematic essences for new expressive possibilities.
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On remaking as an adaptation of cinematic essences for new expressive possibilities.
6 Articles
Show all articlesMichaël Van Remoortere on Chantal Akerman's Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975).
Ben Flanagan questions the goals of this year's London Film Festival.
Arta Barzanji on Laura Citarella's Trenque Lauquen.
Dora Leu on Mia Hansen-Løve's Un beau matin.
Kenny Nixon on Albert Serra's Pacifiction.
Dora Leu on Shipey Wen's Are You Lonesome Tonight?.
Angelo Elia on Luca Guadagnino's Bones and All.
Arta Barzanji on Luca Guadagnino's Bones and All.
Kenny Nixon on Alice Diop's Saint Omer.
Kenny Nixon on Laura Citarella's Trenque Lauquen.
Angelo Elia on Mihai Mincan's To the North .
Dora Leu on Marie Kreutzer's Corsage.
Angelo Elia on Michael Koch's Drii Winter.
Arta Barzanji on Pierre Földes's Blind Willow, Sleeping Woman.
Compromise as a frisson point from which pure cinema can arise: a cinematic essence, in other words.
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Show all articlesWe asked the participants in the ninth edition of the Young Critics Workshop at Film Fest Gent three simple questions...
photogénie is looking for criticism that tackles the circularity of film history and various (self-)referential and intertextual practices.
For our next issue, we are looking for essays that examine cinema's recurrent grappling with compromise in all its forms.
How do you write about something that isn’t there?
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